Almond (#EED9C4) and Copper penny (#AD6F69) appear together across 6 master palettes in our corpus, most prominently in the work of Maria Sibylla Merian, Erich Heckel, and Ferdinand Hodler and the Baroque tradition. Painters typically deployed almond at an average of 16% of the canvas, with copper penny at 6%. Third colors most often completing the combination include Old lace (#FDF5E6), Shadow (#8A795D), and Khaki (#C3B091).