The value structure of Automatic Painting is mid-key: quiet, controlled, and cohesive. The palette achieves thermal balance - reds and blues, ochres and greens, each holding the other in check. Mid-saturation across the board: the palette has colour character without chromatic excess. Only 8.5% is devoted to #AD7119, yet that small allocation delivers the palette's entire chromatic tension. 52 units of value spread create a palette that is varied but unified - contrast in the service of harmony. The palette reads as an Impressionist one - light-biased, chromatically direct, and built on temperature contrast rather than value opposition.