Venice from the Tower of San Giorgio

Smithsonian American Art Museum, Washington, DC, US · 42.2 x 73.6 cm

Lustrous Tawny
Lustrous Sheen without harshness - mid-to-high key, silky, with a pearl-like quality.
Tawny Warm orange-brown - a traditional term for the color of tanned leather or lion fur.
Venice from the Tower of San Giorgio by Thomas Moran

Color Palette

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Color Profile

Brightness
light
0
100
68.1
dark
Saturation
vivid
0
100
22.9
muted
Warmth
warm
-30
0
+50
5.9
cool
Dominant Hue
#ABA782 yellow

Distribution

Hue — where on the color wheel
avg hue 102°
Brightness — how dark vs how light
avg L 68.1
darklight
Saturation — gray vs vivid
avg C 22.9
grayvivid

Brightness Heartbeat

Average brightness scanned top → bottom of the painting.

avg L 68.1 L = 0 L = 100

Palette Analysis

"Venice from the Tower of San Giorgio" (1900) reads as a mid, mid-saturation warm palette built around Amber and Sage. The body of the palette stays restrained while smaller hits of color do the work. A low-prevalence accent at #496A65 pulls the eye.

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