Blue Bonnets at Late Afternoon

Lustrous Sage
Lustrous Sheen without harshness - mid-to-high key, silky, with a pearl-like quality.
Sage Muted gray-green - the color of dried sage leaf, low-chroma and herbal.
Blue Bonnets at Late Afternoon by Robert Julian Onderdonk

Color Palette

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Color Profile

Brightness
light
0
100
59.4
dark
Saturation
vivid
0
100
22.6
muted
Warmth
warm
-30
0
+50
1.3
cool
Dominant Hue
#8C8E99 gray

Distribution

Hue — where on the color wheel
avg hue 307°
Brightness — how dark vs how light
avg L 59.4
darklight
Saturation — gray vs vivid
avg C 22.6
grayvivid

Brightness Heartbeat

Average brightness scanned top → bottom of the painting.

avg L 59.4 L = 0 L = 100

Palette Analysis

"Blue Bonnets at Late Afternoon" (1915) reads as a mid, mid-saturation balanced palette built around Blue and Sage. The body of the palette stays restrained while smaller hits of color do the work. A low-prevalence accent at #A6A343 pulls the eye.

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