A Turn in the Road at La Roche-Guyon

Smith College Museum of Art (SCMA), Northampton, MA, US

Gleaming Tawny
Gleaming Bright and polished - high-key, often warm, suggesting reflective or luminous surfaces.
Tawny Warm orange-brown - a traditional term for the color of tanned leather or lion fur.
A Turn in the Road at La Roche-Guyon by Paul Cezanne

Color Palette

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Color Profile

Brightness
light
0
100
71.4
dark
Saturation
vivid
0
100
19.8
muted
Warmth
warm
-30
0
+50
6.8
cool
Dominant Hue
#B7AF8D yellow

Distribution

Hue — where on the color wheel
avg hue 98°
Brightness — how dark vs how light
avg L 71.4
darklight
Saturation — gray vs vivid
avg C 19.8
grayvivid

Brightness Heartbeat

Average brightness scanned top → bottom of the painting.

avg L 71.4 L = 0 L = 100

Palette Analysis

"A Turn in the Road at La Roche-Guyon" (1885) reads as a lit, mid-saturation warm palette built around Amber and Cream. One color carries 36% of the picture plane, anchoring the composition. A low-prevalence accent at #494D30 pulls the eye.

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