Tibet. Evening.

Gleaming Tawny
Gleaming Bright and polished - high-key, often warm, suggesting reflective or luminous surfaces.
Tawny Warm orange-brown - a traditional term for the color of tanned leather or lion fur.
Tibet. Evening. by Nicholas Roerich

Color Palette

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Color Profile

Brightness
light
0
100
72.4
dark
Saturation
vivid
0
100
18.2
muted
Warmth
warm
-30
0
+50
1.8
cool
Dominant Hue
#B1B1B3 gray

Distribution

Hue — where on the color wheel
avg hue 354°
Brightness — how dark vs how light
avg L 72.4
darklight
Saturation — gray vs vivid
avg C 18.2
grayvivid

Brightness Heartbeat

Average brightness scanned top → bottom of the painting.

avg L 72.4 L = 0 L = 100

Palette Analysis

"Tibet. Evening." (1937) reads as a lit, mid-saturation warm palette built around Amber and Blue. The body of the palette stays restrained while smaller hits of color do the work. A low-prevalence accent at #2F2E56 pulls the eye.

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