Sadak in Search of the Waters of Oblivion

Saint Louis Art Museum, St. Louis, MO, US

Smoldering Sienna
Smoldering Suppressed heat in dark register - low-key with a warm undertone, ember-like.
Sienna Warm red-brown earth - named after the Sienese pigment, a fundamental artist earth color.
Sadak in Search of the Waters of Oblivion by John Martin

Color Palette

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Color Profile

Brightness
light
0
100
20.4
dark
Saturation
vivid
0
100
16.8
muted
Warmth
warm
-30
0
+50
17.2
cool
Dominant Hue
#452A1E orange

Distribution

Hue — where on the color wheel
avg hue 50°
Brightness — how dark vs how light
avg L 20.4
darklight
Saturation — gray vs vivid
avg C 16.8
grayvivid

Brightness Heartbeat

Average brightness scanned top → bottom of the painting.

avg L 20.4 L = 0 L = 100

Palette Analysis

"Sadak in Search of the Waters of Oblivion" (1812) reads as a deep, rich-saturation warm palette built around Amber and Red. Color weight is spread without a single dominant note. A low-prevalence accent at #BA836F pulls the eye.

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