Eaton's Neck, Long Island

Metropolitan Museum of Art (Met), New York City, NY, US · 45.7 x 91.4 cm

Soft Sage
Soft Low-contrast, gentle chroma - mid-key values and low saturation, approachable and calm.
Sage Muted gray-green - the color of dried sage leaf, low-chroma and herbal.
Eaton's Neck, Long Island by John Frederick Kensett

Color Palette

✦ Edit in generator

Color Profile

Brightness
light
0
100
53.8
dark
Saturation
vivid
0
100
12.4
muted
Warmth
warm
-30
0
+50
1.5
cool
Dominant Hue
#81826E gray

Distribution

Hue — where on the color wheel
avg hue 109°
Brightness — how dark vs how light
avg L 53.8
darklight
Saturation — gray vs vivid
avg C 12.4
grayvivid

Brightness Heartbeat

Average brightness scanned top → bottom of the painting.

avg L 53.8 L = 0 L = 100

Palette Analysis

"Eaton's Neck, Long Island" (1872) reads as a mid, muted-saturation warm palette built around Sage and Cream. One color carries 41% of the picture plane, anchoring the composition. A low-prevalence accent at #422D18 pulls the eye.

Example use cases

Subject Tags

Build a palette inspired by Eaton's Neck, Long Island
Open in generator with 10 colors pre-loaded

I Love This!

Use This Palette
Copy, export, or download for your project
Copy:
Download:
Share:

Artworks with a similar color profile

Nearest neighbours by brightness, saturation, warmth and hue across the full corpus.

More by John Frederick Kensett

More from Luminism

← Browse all artworks