The Coming of Bride

Gleaming Tawny
Gleaming Bright and polished - high-key, often warm, suggesting reflective or luminous surfaces.
Tawny Warm orange-brown - a traditional term for the color of tanned leather or lion fur.
The Coming of Bride by John Duncan

Color Palette

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Color Profile

Brightness
light
0
100
75.1
dark
Saturation
vivid
0
100
22.7
muted
Warmth
warm
-30
0
+50
9.3
cool
Dominant Hue
#C4B79C orange

Distribution

Hue — where on the color wheel
avg hue 87°
Brightness — how dark vs how light
avg L 75.1
darklight
Saturation — gray vs vivid
avg C 22.7
grayvivid

Brightness Heartbeat

Average brightness scanned top → bottom of the painting.

avg L 75.1 L = 0 L = 100

Palette Analysis

"The Coming of Bride" (1917) reads as a lit, mid-saturation warm palette built around Amber and Yellow. The body of the palette stays restrained while smaller hits of color do the work. A low-prevalence accent at #7385B7 pulls the eye.

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