The White Symphony: Three Girls

61.6 x 46.4 cm

Gleaming Tawny
Gleaming Bright and polished - high-key, often warm, suggesting reflective or luminous surfaces.
Tawny Warm orange-brown - a traditional term for the color of tanned leather or lion fur.
The White Symphony: Three Girls by James McNeill Whistler

Color Palette

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Color Profile

Brightness
light
0
100
65.5
dark
Saturation
vivid
0
100
22.9
muted
Warmth
warm
-30
0
+50
20.7
cool
Dominant Hue
#BF9683 orange

Distribution

Hue — where on the color wheel
avg hue 51°
Brightness — how dark vs how light
avg L 65.5
darklight
Saturation — gray vs vivid
avg C 22.9
grayvivid

Brightness Heartbeat

Average brightness scanned top → bottom of the painting.

avg L 65.5 L = 0 L = 100

Palette Analysis

"The White Symphony: Three Girls" (1868) reads as a lit, mid-saturation warm palette built around Amber and Red. Color weight is spread without a single dominant note. A low-prevalence accent at #C54122 pulls the eye.

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