Portrait of Maria Munk (unfinished)

Neue Galerie des Stadt Linz (Wolfgang-Gurlitt-Museum), Linz, Austria · 180 x 90 cm

Gleaming Tawny
Gleaming Bright and polished - high-key, often warm, suggesting reflective or luminous surfaces.
Tawny Warm orange-brown - a traditional term for the color of tanned leather or lion fur.
Portrait of Maria Munk (unfinished) by Gustav Klimt

Color Palette

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Color Profile

Brightness
light
0
100
64.1
dark
Saturation
vivid
0
100
21.5
muted
Warmth
warm
-30
0
+50
14.9
cool
Dominant Hue
#B29588 orange

Distribution

Hue — where on the color wheel
avg hue 52°
Brightness — how dark vs how light
avg L 64.1
darklight
Saturation — gray vs vivid
avg C 21.5
grayvivid

Brightness Heartbeat

Average brightness scanned top → bottom of the painting.

avg L 64.1 L = 0 L = 100

Palette Analysis

"Portrait of Maria Munk (unfinished)" (1917) reads as a lit, mid-saturation warm palette built around Amber and Red. The body of the palette stays restrained while smaller hits of color do the work. A low-prevalence accent at #9395A0 pulls the eye.

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