Peaks in the morning

Kunsthaus Zürich, Zürich, Switzerland · 51 x 81 cm

Weathered Slate
Weathered Worn and desaturated - the palette of aged surfaces, faded pigment, and patina.
Slate Blue-gray stone - the color of roofing slate, cool and slightly blue.
Peaks in the morning by Ferdinand Hodler

Color Palette

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Color Profile

Brightness
light
0
100
62.8
dark
Saturation
vivid
0
100
14.3
muted
Warmth
warm
-30
0
+50
-5.4
cool
Dominant Hue
#8C98AF blue

Distribution

Hue — where on the color wheel
avg hue 275°
Brightness — how dark vs how light
avg L 62.8
darklight
Saturation — gray vs vivid
avg C 14.3
grayvivid

Brightness Heartbeat

Average brightness scanned top → bottom of the painting.

avg L 62.8 L = 0 L = 100

Palette Analysis

"Peaks in the morning" (1915) reads as a lit, muted-saturation cool palette built around Slate and Blue. The body of the palette stays restrained while smaller hits of color do the work. A low-prevalence accent at #B4B8AF pulls the eye.

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