Anders Zorn is strongly light-biased - shadow is suggested rather than declared. Warm hues command this palette; Anders Zorn favours the reds, oranges, and yellows of firelight and earth. Chroma is kept low across all colours, producing the soft, enveloping quality that characterises tonal painting. The dominant colour, #E9DAC4, takes 28.4% of the total area, establishing the overall mood before any other hue is introduced. The highest-chroma note - #63372B - appears at just 5.5%, deployed as a precision accent against the quieter ground. From deepest dark to palest light, the palette traverses 66 units of the value scale - a span that creates natural depth. In the context of Anders Zorn's full range of palettes, group 4 represents one movement in an ongoing chromatic dialogue.