Mid-key values give Adolphe Joseph Thomas Monticelli its characteristic quietness - nothing blazes, nothing disappears. Warmth dominates - the palette of Adolphe Joseph Thomas Monticelli leans heavily on the yellow-orange-red arc of the colour wheel. Chroma is held at a comfortable level - distinct colours, but no single hue is allowed to overwhelm. The highest-chroma note - #522310 - appears at just 9.3%, deployed as a precision accent against the quieter ground. The value range spans 66 units across the palette, providing the full gamut from deep shadow to near-white and ensuring clear tonal hierarchy. This is palette 4 of Adolphe Joseph Thomas Monticelli's sequence - a single chapter in a chromatic story told across many works.